At the risk of sounding like an ungrateful, man-hating, eternally grumpy and ugly-arm-pitted feminist, I really hate it when male pop singers release touchy-feely power ballads about how other men shouldn’t hit women. Take, for example, Keith Urban’s “Stupid Boy”, released last month in conjunction with the Canadian Women’s Federation (CWF) Shelter from the Storm Campaign to Stop Violence Against Women.
For most of May, the radio regularly played infomercials with extremely intense stats on violence against women - and that’s amazing, because violence against women is not a topic we talk about, in real statistical terms, very much on commercial radio. And Urban’s song was meant to support a radiothon to raise funds for the CWF - so that was nice of him.
But that pesky ungrateful, naggy nit-picker in me couldn’t help but feel that Urban’s song seems to almost sentimentalise domestic violence, lapsing into soft-hued, apolitical images that stop us from thinking about the cultural roots of domestic violence, because we’re too busy swaying to the music.
In the words of Urban:
Well, she was precious like a flower
She grew wild, wild but innocent
A perfect prayer in a desperate hour
She was everything beautiful and different
Is it just me or do sickening stereotypes about the purity of women - and the converse, as in, images of strong, protective and masculine men - just lead us to the toxic land of gender roles, which breeds such awful things as gender violence in the first place?
And how about Nickelback, whose 2001 hit “Never Again” asks “Haven’t you heard ‘Don’t hit a lady?’” and suggests that if you beat a woman then you’re not a real tough guy.





